Design Consciousness
http://designconsciousness.blogspot.co.uk
The visceral desire for self exploration, self gratification and self expression along with the urge to explore the unknown initiates the beginning of the design process. Patterned intentions in the form of vectors are “projected” into a quantum field of light energy. This thrust of energy creates a waveform, i.e. a disturbance within the same field as the source of the projection. Intention sends a coded signal and along with time gives precedence to the creation of a series of events (images). Together these images give form to a reality through experience.
Ripples in the fabric of space are rhythmically vibrating and transmuting the composition of the quantum field both into and out of “form” (Higgs-Boson). In meeting resistance certain intentions (vectors) cause the field to appear polarized, e.g. yin/yang, matter/anti-matter, magnetic/electric, meaningful and purposeful, positive/negative, etc. thereby affecting the laws of cause and effect and gender.
Each vector meets a certain degree of resistance when entering a quantum field of infinite potential. Resistance to this projection presents itself in the form of friction, heat and relative materialization. Time is an integral part of the imagination as every intention to explore the unknown (self, point, source) is reflected back to its origin substantiating a virtual field of energy based upon archetypal principles yet still of its own devices.
Subsequent repetition of the design process gives precedence to a set of constraints made apparent as a microcosmic field of potential emerging in and from virtual space/time. A point (1) becomes a vector, which due to resistance becomes a vibratory line (2) in virtual space. The result of these intentions quiver about their own focus of origin creating a scaler field whose perimeter can appear in the form of a point (1D) a circle (2D) or a sphere (3D).
Each determination gives relative “form” to a field that represents a unique kind of reality, i.e. a universe, that allows for diversity and expansion through both an individual and collective consciousness. Each microcosmic field is an orchestrated part of a greater macrocosmic “consciousness” materializing within a greater universe known only by the events contained within its constraints. In this manner consciousness has the potential to expand beyond its own constraints by holographic means made manifest by the design process.
Consciousness is a convoluted field of virtual energy filled with meaning and purpose. These qualities are made apparent by creating situations in which the drive to explore the unknown gives rise to the most appropriate intelligence required to further unify and expand awareness.
In order to both initiate and perpetuate the journey towards greater awareness it is imperative that light (energy/information) be configured into the most appropriate patterns (holograms) that bring every desire and intention to fruition. In essence, consciousness becomes attracted to itself and others events of “like kind” when similar codes, i.e. desires, resonate around commonly shared patterns, i.e. the archetypes.
Movement is the product of a desire to experience unity and harmony through resonance. Three-dimensional space/time subjugates consciousness to certain frequencies that affect awareness. Through repeat exposure in 3D space/time (experience) human consciousness has been designed to expand in awareness and in doing so compliment and support other “universes” in which it contributes.
Holograms give relative form to all universes. Holograms are virtual patterns of energy, i.e. light, into which we project our interpretation of self through our imagination. They exist as a matter of degree and remain dependent upon the parameters (field of virtual consciousness) in which they are projected.
Over time and through experience, purposely designed revelations expose the concept of singularity, i.e. the unit/chaos, as being a universal Principle, a macro amalgamation of energy coalescing about intentions that symbolically focus awareness upon a particular form of consciousness. These circumstances allow cognition to both enter and exit other dimensions (universes) solely in order to discover and expand in consciousness. The medium composing every field of consciousness is virtual, dualistic and holographic in character.
The unit/source (one) is on a design journey. Meaning and purpose appear real within the parameters of a subjective field made cognizant of its own "qualities" through experience. This perspective helps create the dualistic relationship appearing both within and outside the constraints of 3D space/time.Internalization allows for the birth of an “objective” world. The internal quest for knowledge, i.e. greater intelligence, creates references to an internal and mindful relationship with a world viewed as being both meaningful and purposeful.
Metaphysically, the perception of an event-image, or point on the wave of experience, received through photonic transmission, is interpreted as a symbol by the ectypal consciousness. These symbols of interpretation, frozen frames of understanding, are the crucial link between the typal and archetypal consciousness. The continuous flow of interpretations becomes the proportional harmonic feeling of moving through experience. In other words, a human interprets the proportional harmonic flow of experience event-by-event geometrically through the recognition of symbols.
Therefore the paradox surrounding “reality” is that what appears to be outside is actually a reflection of what exists inside the virtual field of one’s own consciousness. Design is the vehicle that makes enlightenment relevant. The simple fact that the unknown is a constant suggests that design and its use of metaphor is the only methodology available for the refinement and expansion of consciousness.
